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Download PDF Producing Great Sound for Film and Video: Expert Tips from Preproduction to Final Mix

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Producing Great Sound for Film and Video: Expert Tips from Preproduction to Final Mix

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Review

"This is the definitive book. It should be mandatory reading for anyone who is seriously considering a career making movies." - Jeff Wexler, CAS (Mixer for Mission Impossible III, Fight Club, Independence Day, The Last Samurai, Jerry Maguire) "Jay Rose is one of the leaders in spreading the gospel of using sound creatively. He presents cutting-edge ideas about the collaboration of sound and image, and also covers the basics… all in an easy to read, easy to understand style." - Randy Thom, CAS (Director of Sound Design at Skywalker Sound; Oscar winner for The Right Stuff and The Incredibles) "Folks, this book is a treasure chest. Don't call Producing Great Sound for Film and Video by Jay Rose an audio primer or even a reference source, it's much more… It's like taking a class taught by a caring, affable, pro. The writer's intimate and accessible style is what makes this book a great value for anyone interested in audio. Whether you're just starting in the field of digital audio/video production, or are a seasoned pro, you'll find information in this book that will improve your end product." - John Hartney, Creative Cow.com "A truly great book… I really enjoyed the read. This book is an ABSOLUTE MUST if you will be shooting on a budget and doing sound yourself. You'll learn what mics to use in the field, how to fix an echo, how to deal with line noise, cheap fixes for potentially expensive problems--and that's just the beginning…. this book will teach you tips and tricks that will make your head spin. This book can literally save you THOUSANDS in post production." - Biagio Messina, AccessDV "Most folks who write about doing sound for moving pictures, on film or on video, focus on the sexy stuff--mostly writing music, sometimes doing foley, often talking technical. Jay Rose doesn't mess around. He digs right into the hardcore side of audio for moving pictures -- recording and editing dialog, sound effects, and music. He debunks common myths, shows the reader how to make do in limited-budget, time-constrained situations, and puts it all in context on a technical level. Producing Great Sound for Film and Video is an invaluable collection of step-by-step how-to information combined with the technical reasons things do or don't work. It's essential reading for anyone serious about making a living doing moving pictures." - Dominic Milano, Digital Video Magazine  "Crammed full of practical advice on recording, editing, and mixing audio for your production, including many of the technical basics." - Trish Meyer, Cybmotion "Having read through this book I am now beginning to appreciate the depth of information that Jay Rose has put into this work. He combines tricky scientific and technical details with a writing style that makes the book an easy and interesting read - which makes it more than suitable both as a 'must have' for anyone wanting to make a career in sound and a 'should read' for anyone already involved in production at any level." - Wendy Laybourn FBKS, Network Nine   

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From the Author

I'm thrilled with how this edition came out. I had to cover the new technologies and workflows, while including older equipment and software that's still being used. And I rewrote a lot of the technical explanations to make them even easier to understand, while still keeping them comprehensive and accurate.  It's a lot of material: the fourth edition has 20% more pages than the third one... and that's not counting one whole chapter we moved to the web, to keep costs down. After a long and happy career creating tracks for just about every medium, winning a few friends and gaining some recognition for my work, I've got the chance to teach the entire sound process in ways that'll be useful to every filmmaker -- beginner and experienced pro alike.

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Product details

Paperback: 570 pages

Publisher: Routledge; 4 edition (July 19, 2014)

Language: English

ISBN-10: 9780415722070

ISBN-13: 978-0415722070

ASIN: 0415722071

Product Dimensions:

7.4 x 1 x 9.1 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#95,461 in Books (See Top 100 in Books)

Great textbook

It is really good book!

book as described fast shipping

I pick up this book every now and then, it's a great read. He's got a good writing style, lots of practical tips. It really expanded my knowledge of audio. Would highly recommend it.

Read it carefully from cover to cove, do the exercises and you can learn how to greatly improve you recorded sound for film production. I have read it twice and referred to several sections. I made a great choice with this book.

Stunningly clear exposition of a complete sound achievement process

Fantastic book, well written, very informative. Great for anyone interested in audio.

Da bomb.Thorough and thoughtful.

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Producing Great Sound for Film and Video: Expert Tips from Preproduction to Final Mix PDF

PDF Download Historical Dictionary of Papua New Guinea (Historical Dictionaries of Asia, Oceania, and the Middle East)

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Historical Dictionary of Papua New Guinea (Historical Dictionaries of Asia, Oceania, and the Middle East)

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Review

This is a handy reference book for scholars and laypersons alike...national leaders and officials will need this book as much as scholars. (Oceana)...the updated materials are excellent, and the volume is recommended for all academic libraries... (CHOICE)The dictionary's strength's are in its representation of political, geographical and economic matters, and it is a very handy ready reference for readers who need accurate, concise histories of political parties, biographical details of significant individuals, and basic facts about important historical events....a valuable resource in itself. (Pacific Affairs)...This book will be a welcome addition to the reference shelves of university libraries and most useful to beginning or browsing scholars. (Critical Asian Studies)

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About the Author

Ann Turner is currently a freelance writer, researcher, and consultant. She has taught in the Historical Department of the University of Papua New Guinea and written courses on Issues in National Development and Papua New Guinea history for the university's Extension Studies Department. She was for many years Head of the library at the Hawthorn Institute of Education and Head of the Institute's Center for Information and Communication Technology Education.

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Product details

Series: Historical Dictionaries of Asia, Oceania, and the Middle East (Book 37)

Hardcover: 416 pages

Publisher: Scarecrow Press; 2nd edition (August 28, 2001)

Language: English

ISBN-10: 0810839369

ISBN-13: 978-0810839366

Product Dimensions:

5.8 x 1.2 x 8.7 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#2,973,489 in Books (See Top 100 in Books)

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Download Ebook God's Undertaker: Has Science Buried God?

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Listening Length: 11 hours and 32 minutes

Program Type: Audiobook

Version: Unabridged

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God’s undertakerHas Science buried God?Author: John LennoxIs it relevant to believe in God in the time of science and technology? The Oxford University professor of mathematics raises the question on what direction take us the scientific discoveries of our times. Is there any contradiction between God and science and what is the bases of scientists’ positioning in this debate? How the author of the book, Oxford University professor of mathematics and other distinguished scientist holds up the believe in God in our times?Surely the title of the book itself, is intriguing and invites you to read it and find the answer that the author gives for these crucial questions. Professor Lennox in this book provides the readers with a broad spectrum of scientists that hold one of the position: either the science has buried God, or the opposite position that the science is a proof of the word of God. He provides these opposite positions for a various of topics starting with the scope of the science and continues with other topics such as the nature and scope of evolutions, the origin of life, the genetic code and its origin, even going into the philosophical legacy of David Hume regarding the violation of nature laws in miracles.Each chapter is a discussion on a new scientific topic. Professor Lennox starts each chapter with 2-3 contradicting quotes from known scientists. After that he goes in detail discussion of the topic, and scientists positioning on the topic. As a believer in God with all his soul and his mind, professor Lennox with a clear writing and a neutral tone, highlights that arguments against God and faith in God fall short in their foundation, and in majority are not substantiated by the science itself.I admire the depth of knowledge presented in this book by professor Lennox. Furthermore, he makes it clear from the very beginning the false premises of God- science debate, by emphasizing that this is not a science- faith debate, but a war of worldviews. Through the pages of the book, professor Lennox provides numerous quotes of scientists that refute God not based on their science and the scientific results but based on their faith that there is no God. Professor Lennox keeps a very high standard and do not denigrate the scientists that do not share his faith in God, but based on the facts of science and logics, he refutes their foundations.

The first time I heard of John Lennox was listening online to his debate against Richard Dawkins. Not only was he able to stand up to Dawkins's arguments, but he concluded with a sterling appeal to the resurrection of Jesus Christ as the final proof that God exists and has revealed himself to us. Dawkins responded that he was "disappointed" that Lennox would bring that matter up in a scientific debate, but I was encouraged. Later, hearing Lennox in person speaking in Washington State, I was further impressed by his knowledge, fluency, and ability to explain complex ideas to a popular audience.John Lennox is Professor in Mathematics in Oxford and Fellow in Mathematics and the Philosophy of Science at Green Templeton College. In addition to being a leading mathematician and philosopher of science, Lennox is a committed Christian and an outspoken apologist. In addition to debating famous atheists like Dawkins and Christopher Hitchens, Lennox speaks to popular audiences to encourage their faith in God and the biblical revelation.This recent book presents a strong case for God as the intelligent, powerful Creator of the universe. As an expert in mathematics, including probability and chaos theory, Lennox analyzes and explains the fine tuning of the physical forces and constants of the universe, and the information richness of the genetic code. These facts point to intelligent input. Lennox does not "argue from analogy, but [makes] an inference to the best explanation" (p. 175). This is not a "god of the gaps" argument, where, as science progresses, the need for "god" shrinks. Rather, it is an "atheism of the gaps" argument, as each new scientific advance provides more, not less, evidence for a divine, intelligent Creator.The book surveys the major areas of debate--the origin and design of the universe, the origin of life, the origin of the major types of life, and the information-rich content of the genetic code. In each of these areas Lennox documents his statements well, citing leaders in each field. He selects the strongest, not the weakest, argument of his opponents and treats them fairly. In all these diverse subject areas, he emphasizes the issues that relate to his own strength and expertise.Near the end of his book Lennox discusses the philosophical contribution of David Hume, who supposedly destroyed the argument for God based on the design found in various creatures. These pages summarize and state well the fallacy of Hume, and the emptiness of modern arguments by atheists who quote him.This book is fun to read, even though sometimes the reading is heavy. I recommend it to all who desire to argue for the existence and work of the God of the Bible. It also is helpful to all Christians who have feared that their beliefs somehow are unscientific or unreasonable.

Oxford mathematician Lennox concisely shows that "science vs. religion" is a myth and how many skeptics of religion have misused science for to support their personal beliefs. Lennox brings together many disciplines of science - though much on biology - and shows belief is not only compatible with science, but a logical conclusion of what we observe. As he shows. God is not an alternative to science, his existence explains why science can explain. A very accessible and wide-ranging book that is solidly rooted in facts and reason. People who really want to find answers and not rhetoric should start here. See also Why the Universe Is the Way It Is,The Cell's Design and Signature in the Cell: DNA and the Evidence for Intelligent Design.

ExcellentThis book is a powerful treatise which I would classify as very advanced. Dr Lennox is at his best here but the average Reader may be overwhelmed by the exceptional intellectual treatment, detailing and footnoting of this work. Still, in my opinion, a valuable read and a great resource for anyone wishing to explore the world of science as it relates to religion without the propaganda which we are overwhelmed with in what is deemed "Higher Education"

A very good book, methodically laying out atheism’s claims and demolishing them. Covering a wide range of the pertinent topics from today’s controversies, Lennox handles each with a mathematician’s precision and a humorist’s charm. Highly recommended.

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About the Author

Cassandra Clare is the #1 New York Times and USA TODAY bestselling author of Lady Midnight, Lord of Shadows, and Queen of Air and Darkness, as well as the internationally bestselling Mortal Instruments series and Infernal Devices trilogy. She is the coauthor of The Bane Chronicles with Sarah Rees Brennan and Maureen Johnson and Tales from the Shadowhunter Academy with Sarah Rees Brennan, Maureen Johnson, and Robin Wasserman. Her books have more than 50 million copies in print worldwide and have been translated into more than thirty-five languages and made into a feature film and a TV show. Cassandra lives in western Massachusetts. Visit her at CassandraClare.com. Learn more about the world of the Shadowhunters at Shadowhunters.com.

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Product details

Series: The Dark Artifices (Book 2)

Paperback: 752 pages

Publisher: Margaret K. McElderry Books; Reprint edition (November 6, 2018)

Language: English

ISBN-10: 1442468416

ISBN-13: 978-1442468412

Product Dimensions:

5.5 x 1.7 x 8.2 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

844 customer reviews

Amazon Best Sellers Rank:

#11,582 in Books (See Top 100 in Books)

The story kept your interest throughout the entire 699 pages of the book, as usual with Cassandra Clare's Shadowhunter books. I have always loved the unique story lines and twisting plots. This book did not disappoint. Seldom did the action or story plot slow and I look forward to the next book. I, however, didn't feel she handled the social issues in the story as elegantly as in past books. In this book it was very obvious she wasn't just telling a story but wanted to make a moral commentary/point or stand. It's not that I mind her taking a stand or dislike the moral to her story. I'm just saddened to see she took a commercial outward stance when in previous books she took moral stances and subjects and handle them in an original, elegant, and classy fashion. This book seemed geared to commercialism and hitting her reader over the head with her moral and social opinions and commentary, the story line seemed secondary.

So I don't know how I am going to write this review since I just finished Lord of Shadows, but I am going to attempt to while my heart is still broken. This review will have little to no spoilers. I do not know how Cassandra Clare can get better and better with each book she writes. Lord of Shadows just shows so much growth in her writing and storytelling and honestly it warms my heart. Lords of Shadows picks up a couple weeks later after the events of Lady Midnight and it is one emotional roller coaster from then on. This is by far the strongest Shadowhunter book to date. While their are somethings I am not on board with, that in no way derails how wonderful this book truly is. The Blackthorn family has captured my heart and I love them dearly. I love every aspect of how close they are and the idea that every single one of them will do anything to keep their family together. I couldn't ask for a better cast of characters to read about. From Emma and Christina to Kit and Diana who all bring something to the table that is new and fresh to this world!! The plot to Lord of Shadows is probably the darkest, in my opinion, of all the Shadowhunter novels. From beginning to end I feared for my babies and was so worried for each and every one of them. At times I was yelling at the book to the point where my parents yelled at me that it was just a book, to where I replied that they didn't understand the deep connection I feel for this story!! I am not ready for the two year wait for The Queen of Air and Darkness because that ending has me all screwed up!!!!

Note, I will be petty: when put together the books should have an image that is complete. This book is not the spine art I was hoping for and will tower over the other books in her previous series.If you were getting this in hopes of completing the spine art- this is NOT the book.

what a cliffhanger Lord of shadows was. Once again I felt I was thrown into the world of Shadowhunters, Fairies and Warlocks. From Start to Finish I couldn't put it down.Like Lady Midnight, it was full of adventure, love, Family, friendship and a lot of heartache and sacrifice. Aw the feels so many feels with this book. Whether it was with Julian and Emma or Mark, Kieran and Christina, along with Ty Livvy and Kit.I felt like this story we learned more and more about the Blackthorns and Malcom Fade, and what really happened between he and Annabelle Blackthorn. I felt that Cassie Clare really touched more upon what is means to be Parabati and the sacrifices that comes with that.With Lord of shadows Kit aka Christopher Herondale really starts to embrace being a shadowhunter and getting to know who his family is and who is ancestors were.I love how intertwined The Dark Artifces, the Infernal Devices and The Mortal Instruments are. The end of the book broke my heart. So much craziness ensues and the ending oh the ending. I can't wait to read the Final Book. I can't believe we have to wait a year!!!!

While I love Cassandra Clare's Shadowhunter series, this is the first time I have ever found myself skimming and skipping pages in one of them. There are many great things about this latest installment -- I loved some of the character development -- but I felt like she was overreaching in what she was trying to cover and that some themes were overdone. First, it seems like almost everyone was a couple or a potential couple. I just can't get invested in that many potential relationships in one book. Second, it seemed like it was a real kitchen sink of relationship possibilities and the handling of them, including the more nontraditional, seemed almost ham-fisted for her. I've previously admired Clare for how naturally she's introduced alternative relationships and made space for everyone. In this book, though, I felt like she was working hard to check off a bunch of boxes and do a three card monte with some of the characters so you didn't know who you should get invested in. It got so distracting that I started wondering about what was next -- Windspear and Church? A Wild Hunt three way with Cristina? The pages of angst devoted to all these throbbing and sometimes thwarted relationships started to feel repetitive and I started skipping.However, I do love the Shadowhunter world and the series so while I'm a little meh on this particular book, I will still be anxiously awaiting the next installment.

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About the Author

ITMB Publishing (International Travel Maps and Books) of Vancouver, Canada, has published detailed reference and travel maps of countries, regions, and cities around the world since 1985.

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Product details

Series: International Travel Maps

Map: 1 pages

Publisher: ITMB Publishing, Ltd; 1 edition (December 10, 2008)

Language: English

ISBN-10: 1553416031

ISBN-13: 978-1553416036

Product Dimensions:

0.1 x 3.9 x 0.2 inches

Shipping Weight: 1.6 ounces (View shipping rates and policies)

Average Customer Review:

1.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,543,921 in Books (See Top 100 in Books)

This map is missing the back. There are references to sections like H16 but the back is completely blank. I know how to read maps and this map is useless for what I need.

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Product details

File Size: 177405 KB

Print Length: 152 pages

Publisher: Dynamite (April 8, 2014)

Publication Date: March 23, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00KIWYDT4

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Another great work by Garth Ennis. But, then again, I'm biased. Ever since Preacher came out, I've been a big fan of his and this story did not disappoint me. Group of cops that took justice into their own hands and how it conflicted and affected them. I like the inclusion of a female cop in equal terms to the rest of the team, not just for fanservice but for a real rounded, coherent cast of characters. If you're an Ennis' fan, by all means get this. I don't know if there's a volume 2 but I'll be sure to buy it.

Really great story from one of comic's legends. I could see it as a really great movie or TV show.

I normally love Ennis' work, but although Red Team was interesting it was not groundbreaking. The rouge cop trope has been run in many different ways and I was expecting Ennis to do something really creative with it. A victim of his own success :). Solid storytelling in dialogue, pacing and art, but I did not love it.

Garth Ennis strikes again! While many of Ennis books have violence, they also have a large dose of humanity. I stumbled across Red Team a few weeks back and once I saw Ennis, I had to have it. If you love cop stories and vigilante justice, pick it up - you won't regret it.

Not only did I love this trade...I've passed it on to my boyfriend and it's now making its way around the Washington Post. I may never get it back. Great read!

Not good at all. Very boring.

I'm a big fan of Garth Ennis. I remember fondly his work on HELLBLAZER and PREACHER and PUNISHER. And HITMAN! We can't forget HITMAN. Of course though, all of that was a while ago, specifically 1991, 1995 and 2001. (Plus 1996 for HITMAN) Finding his work now is a bit more difficult. Or probably more realistically with my reduced comic book buying, I just don't see his work that much. That's why I was real happy to find RED TEAM. And why when I was finished reading it, I felt wistful for the "good old days" when his work was more prevalent.Anyway, RED TEAM. The story is about an elite team within the police department that focuses on taking down higher targets than the street-level thugs and dealers. After being stymied by the legal process and watching their targets escape, the red team decides to bypass the judicial process and execute the criminals. The story follows the events that unfold from that point to their, in my mind, natural end point.I felt that the story was realistic to what would happen in today's society. The steps followed and decisions made all seemed true to the characters and to what cops might do. And the graphic novel isn't just about following the story to the ending. As with many of Ennis' work, the details are what helps make it. The characters are dealing with life issues, large and small: a failing marriage where the reader can see it slowly disintegrate, a person killed that reveals so much about the cop doing the killing but at the same time the topic is never discussed. We can see how the characters ended up as who they are. And that always makes for a better story.

What happens when four members of an elite NYPD special narcotics unit decide to murder an untouchable suspect? The worst possible thing...they get away with it.Garth Ennis, fresh off his Punisher MAX run for Marvel goes indy in Dynamite's RED TEAM bringing all his gritty, violent, anti-hero skills with him. This team of three men and one woman are not only good, they are great cops who have reached their limit and now decide to take justice in their own hands with a series of bad guy killings that leaves a body count that would make Frank Castle proud. They do not take to it easily, especially lead anti-hero (Eddie Mellinger and his female partner Trudy Giroux) but they take to it none-the-less mowing down drug dealers, hit men, and even a sexual predator.They use a set of rules crafted to justify their actions and to be sure they are acting with absolute certainty and in a way they will not be caught. But no matter how they justify it one thing is clear...they have crossed a line and now there is no going back. Ennis handles this conflict in his characters in very nuanced ways. Eddie, a sensitive soul, appears the most conflicted. He second guesses himself and their collective mission but, because of other issues in his personal life, plunges ahead with the best of them and in some ways pushes the others into the places he is most afraid to go. Trudy becomes slightly unhinged and in a lapse of judgement puts their team in jeopardy when her temper gets the best of her. Even the stoic mountain of a man George Winburn shows his dual nature inbetween scratching his dogs ears and planning the perfect murder. And their leader Duke Wylie reveals in the concluding issue the way the murders haunt him personally.But even though they have fears and regrets regarding the line they crossed and the law they swore to uphold, they quickly find they are every bit at good as being killers as they are cops. It's in this no man's land that Mr. Ennis as a writer does some of his best work. Between panels of violence and mayhem come little speeches and dropped lines concerning the failure of the legal system, the rampant success of lawyer-ed up criminals, and the ineptitude of a department crippled by procedure and driven by stats.Ennis navigates this mine field of political/social commentary in a way that never once detracts from the story he has to tell. So what could have been a mess of social rants, becomes a smart, biting, commentary on our world in a very taut and entertaining title. Even when Ennis plays his favorite card (commentary against the Catholic church) he reigns it in enough that it serves his plot more than his ulterior motives. This should especially be noted because in other titles (i.e. Pilgrim) he fails to do so and the results are disastrous.Contributing to this strong writing is the illustrations of Craig Cermak. I am fairly certain that this is the first time this team has been paired (I could be wrong) but you would never be able to tell. The TP contains Ennis's script for issue 1 and comparing his direction to the finished product shows the two are in lock step. Cermak's lines and panel selections are very reminiscent of Steve Dillon's work with Ennis on Preacher and compliments the story just as well as in that classic title.Some of the negative reviews mention issues with pacing, however, I felt the exact opposite. To me it felt like a slow, methodical, tightening of a snare that slowly traps each of our anti-heroes until they have no where to go but through. And when that happens, when the whole bloody finale comes to a head, the payoff is very much worth the wait.

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Ebook The City of Mirrors: A Novel (Passage Trilogy), by Justin Cronin

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Review

“Compulsively readable.”—The New York Times Book Review “The City of Mirrors is poetry. Thrilling in every way it has to be, but poetry just the same . . . The writing is sumptuous, the language lovely, even when the action itself is dark and violent.”—The Huffington Post “This really is the big event you’ve been waiting for . . .  A true last stand that builds and comes with a bloody, roaring payoff you won’t see coming, then builds again to the big face off you’ve been waiting for.”—NPR “A masterpiece . . .  with The City of Mirrors, the third volume in The Passage trilogy, Justin Cronin puts paid to what may well be the finest post-apocalyptic epic in our dystopian-glutted times. A stunning achievement by virtually every measure.”—The National Post “Justin Cronin’s Passage trilogy is remarkable for the unremitting drive of its narrative, for the breathtaking sweep of its imagined future, and for the clear lucidity of its language. The City of Mirrors is a thrilling finale to a trilogy that will stand as one of the great achievements in American fantasy fiction.”—Stephen King“Superb . . . This conclusion to bestseller Cronin’s apocalyptic thriller trilogy ends with all of the heartbreak, joy, and unexpected twists of fate that events in The Passage and The Twelve foreordained.”—Publishers Weekly (starred review)   “Readers who have been patiently awaiting the conclusion to Cronin’s sweeping postapocalyptic trilogy are richly rewarded with this epic, heart-wrenching novel. . . . Not only does this title bring the series to a thrilling and satisfying conclusion, but it also exhibits Cronin’s moving exploration of love as both a destructive force and an elemental need, elevating this work among its dystopian peers.”—Library Journal (starred review)   Praise for The Passage   “Magnificent . . . Cronin has taken his literary gifts, and he has weaponized them. . . . The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”—Time   “Read this book and the ordinary world disappears.”—Stephen King   “[A] big, engrossing read that will have you leaving the lights on late into the night.”—The Dallas Morning News   The Twelve   “[A] literary superthriller, driven at once by character and plot.”—The New York Times Book Review   “Gripping . . . Cronin [introduces] eerie new elements to his masterful mythology.”—The San Diego Union-Tribune   “An undeniable and compelling epic . . . a complex narrative of flight and forgiveness, of great suffering and staggering loss, of terrible betrayals and incredible hope.”—Milwaukee Journal Sentinel

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About the Author

Justin Cronin is the New York Times bestselling author of The Passage, The Twelve, The City of Mirrors, Mary and O’Neil (which won the PEN/Hemingway Award and the Stephen Crane Prize), and The Summer Guest. Other honors for his writing include a fellowship from the National Endowment for the Arts and a Whiting Writers’ Award. A Distinguished Faculty Fellow at Rice University, he divides his time between Houston, Texas, and Cape Cod, Massachusetts.

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Product details

Series: Passage Trilogy (Book 3)

Paperback: 624 pages

Publisher: Ballantine Books; Reprint edition (May 16, 2017)

Language: English

ISBN-10: 0425285529

ISBN-13: 978-0425285527

Product Dimensions:

5.4 x 1.3 x 8.2 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

2,123 customer reviews

Amazon Best Sellers Rank:

#1,627 in Books (See Top 100 in Books)

I just finished City of Mirrors, and I'm partly writing this review so I can talk about it with somebody. I am a pretty voracious reader, but I've found that my patience for long books has waned in past years, maybe because we live more and more in a 140-character world. City of Mirrors is the first book in a very long time that I wanted to savor, that I didn't want to finish: parts of it left my jaw hanging and my eyes as wide as they can be opened.It is not a perfect book: in my opinion, Cronin's female characters are all a little too alike and a little too perfect: sassy, smart, headstrong (I know, could be much worse). When the men in his stories fall in love with these women, they fall instantaneously, hard, and forever, whether they're 14 or 60. But I think that might be my only critique of his writing. So now that's over with, I can sing its many, many praises.Justin Cronin has a gift for creating sentences. His grasp of language and ability to use it to capture a moment so clearly it's as though I'm watching a movie is unassailable, whether or not one appreciates his "genre." He is able to build a story like those cotton candy machines create their cloud of sugar: completely three-dimensional, yet diaphanous, with no more structure than absolutely necessary to hold the creation together. In an era where I truly believe we are witnessing the dumbing down of our language into tweetable, textable shortcuts, Cronin pulls out his dictionary and finds the exact right word to depict the emotion of the moment. There wasn't a single time when I thought, "this is overwritten," or "less detail, please:" it was pitch-perfect in its creation of people, relationships, and the scenery upon which those relationships were played out.I won't give any spoilers: I'll just say that for me, the book brought a very satisfying end to this epic tale. There might have been one or two places that felt a little too "tidy" and fortuitous, but overall his storytelling walks the balance between fantasy and true, imaginable possibility with utter grace. I am truly sorry to see these characters go, at least until I start reading the whole trilogy all over again, which I guarantee I will.

Justin Cronin’s Passage series has always been fascinating for its refusal to easily be pigeonholed into any one genre. On one level, it’s an apocalyptic horror epic, one in which a tribe of vampiric creatures has wiped out most of the population of the Earth. On another level, it’s a survival story, one in which people are working to rebuild civilization in the face of unimaginable disaster. And on yet another level, it’s a rich character drama, one in which people’s choices and character arcs drive the action every bit as much as the threats around them.That refusal to stick to any one genre is both the best and the most frustrating thing about The City of Mirrors, the final entry in the trilogy. At times uplifting, at times heartbreaking, at times terrifying, The City of Mirrors takes all of Cronin’s habits to extremes. This is a book that features the most terrifying and nightmarish sequence of any of the novels to date; it’s also one which dedicates a huge percentage to the backstory of its major villain – a backstory which is mainly about a young student navigating his complicated relationship with his friends and struggling with his attraction to one of them.That means that City of Mirrors can often be frustrating, even while it’s constantly engaging. Cronin’s prose remains solid, and his willingness to focus on character depth has always been one of the pleasures of the series. Every character, no matter how major or minor, gets respect and a fully realized backstory; it’s a choice that’s paid off again and again in this series. The choice to go to this level of depth is a somewhat strange one, and one that undeniably hurts the pacing of this book. And yet, once you finish the book, you start to realize that Cronin has more on his mind than simply wrapping up his apocalyptic epic.Indeed, you could be forgiven for thinking that Cronin had ended the series already. (Spoilers for The Twelve follow.) After all, by the end of the previous book, The Twelve, the titular Twelve – the original infected – had been destroyed, and peace seemed to be inevitable. Yes, Amy’s fate was up in the air, as was Alicia’s, but the story seemed to be at a sort of ending point. (Spoilers end.) Indeed, it’s a feeling shared by many characters in the novel, who feel that the story is at an end, and that humanity is finally entering a world of peace and rebuilding.But The City of Mirrors reminds us that there’s one major threat still surviving, and focuses on that threat: the originator of the plague, a creature only known as Zero. And in Cronin’s hands, this final battle is as much ideological as it is physical. Is there any reason for hope? Does humanity deserve to survive? What, exactly, does survival mean, and at what cost should we attempt to survive? And what part does hope play in all of this? Cronin takes on the questions that underlie so many apocalyptic horror tales – from The Stand to The Fireman to The Walking Dead – and makes them part of the text, thus justifying the time spent on Zero’s backstory. Yes, it’s long, and it sort of wrecks the pacing…but it ends up being central to the philosophical battle at the heart of the novel.That conflict extends all the way to the ending of the book, which finds Cronin looking at the far larger picture as to what it all means. It’s something he’s been hinting at all through the series, and yet that final section of The City of Mirrors is nonetheless quietly moving, giving us a true epilogue to the story, and an ending that nicely brings his themes together. The endings of apocalyptic tales are always complicated – just look at the three very different endings (or lack thereof) of the titles I mentioned above – and it’s rare to find one that moves so strongly toward optimism. And yet, it works here, giving an ending that both wraps up the story and feels emotionally satisfying. The City of Mirrors is an ambitious book, and one that’s far more “literary” and less conventional than its predecessors. And yet, nonetheless, it sticks the landing for the trilogy, satisfying the reader on a variety of levels while still providing the thrills and excitement we’ve come to demand from the series. It may be a little lumpy at points, but I’ll forgive that for the level of satisfaction that I got from the book as a whole.

I loved the first book, liked the second, but this final novel was absolute torture to get through. Reading it reminded me of the feeling one has watching the last season of a TV show you once enjoyed that should have been cancelled long ago. Reading "City of Mirrors," I found myself generally angry and aggravated with Cronin. Even his creativity with character names began to seem forced and lame and contrived ("Nessa?" "Olla?" Gag me.) By and large, however, Fanning's 1980s Cambridge interlude was the worst and most self-indulgent nonsense I have ever been forced into reading. I'm not sure which Harvard Cronin attended in the 1980s, but I was aghast that he got so much of that era wrong. His characters behaved more like they were inhabiting the late 1950s and early 1960s as the segment began that I kept hearing the theme to "A Summer Place" and envisioning Cate Blanchett in her "The Talented Mr. Ripley" dresses. If I wanted to read a period piece about being in my late teens and early twenties during the 1980s I would have reread "Less than Zero" or "Bright Lights, Big City" (although technically Fanning starts school in late '89.) The entire book required a strong, scolding, editor. The illustrations at the end of the book are an unexpected bright spot - but by then it is far too late.

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